Bill & Ted Face the Music A Movie A Day Journal Entry

Bill & Ted Face the Music (2020) – A Movie A Day 2021 #23

Bill & Ted Face the Music poster

One of the movies released last year that I was very disappointed I didn’t get to see in the theater was Bill & Ted Face the Music. I love the original two movies, I watched the Bill & Ted cartoon when I was a kid, I bought the comic books, and I even really tried to love the NES game (which I still play every once in a while). But with the lack of open movie theaters last year, Face the Music is one of those movies I never got a chance to see on a big screen. But I’ve now seen it on a relatively small screen, and even though it’s not the same experience it would have been, I still thoroughly enjoyed the movie. 

So here’s a quick recap of the series for those unaware. The first movie, Bill & Ted’s Excellent Adventure, came out in 1989 and stars Alex Winter as Bill and Keanu Reeves as Ted. Bill and Ted travel through time in a phone booth to collect historical figures so they can pass their history class in order to continue their band, Wyld Stallyns, so they can write a song that will usher in an age of peace and prosperity across the world. The second movie, Bill & Ted’s Bogus Journey, has evil robot versions of Bill and Ted from the future travel back in time to kill the real Bill and Ted before they can win a battle of the bands. Bill and Ted have to find a way back from the afterlife and win the battle of the bands so they can continue improving as musicians and create the music that will create a utopian society. 

In Bill & Ted Face the Music, we join the eponymous duo in 2020, and they are still struggling to create the music that will unite the world. Bill and Ted are both married to the medieval princesses that they fell for in the first movie, but Bill and Ted’s abnormally close friendship is putting a strain on their marriages. With their home life in jeopardy and with their musical career going nowhere, Ted is beginning to lose faith in their own abilities to create the music they’re expected to. When things seem like they can’t get any worse, a visit from the future warns Bill and Ted of the imminent collapse of all of space and time if they don’t play the song that unites the world in just over an hour’s time. That sends Bill and Ted on a trip into their own futures to try to take the reality-saving song from their future selves since they don’t think they can write it themselves. Meanwhile, Bill and Ted’s daughters, Thea (Samara Weaving) and Billie (Brigette Lundy-Paine) respectively, travel backward in time to collect a group of iconic historical musicians to perform as their fathers’ backing band. Hijinks ensue, and danger lurks as a confidence-lacking robot from the future is sent through time to kill Bill and Ted before they can complete their mission. 

It’s a goofy concept, and I think it’s great. The stakes in the movie are increased from the previous two films with the entirety of life, the universe, and everything on the line, and the traveling through space and time is increased with journeys to the future, past, and even the afterlife all taking place, sometimes simultaneously. Keanu Reeves and Alex Winter seem like they’re having a blast revisiting these characters after nearly three decades, and everyone else in the cast looks like they’re having just as much fun. The cast, by the way, is great. I loved seeing Reeves and Winter reunited with William Sadler (and with Hal Landon Jr. as Ted’s father), and everyone new to the series plays their roles fantastically. I especially enjoyed Samara Weaving and Brigette Lundy-Paine as Bill and Ted’s daughters, and I quite enjoyed Anthony Carrigan (who I know best as Zsasz from the TV show Gotham) as the killer robot. Carrigan’s robot character caught me off-guard with some of his funny bits, and I ended up thoroughly enjoying his performance. Really though, the movie is an ensemble with Reeves and Winter leading a large group of very funny people. 

I very much enjoyed the story as well. It’s silly like it’s supposed to be, and there’s a heart to it that I didn’t quite expect. Maybe because the main goal of the movie is to unite the world through music and I’m a sucker for musical performances in movies, but I was more moved than I thought I would be by the time the credits started to roll. Bill & Ted Face the Music is just has a joy about it in every single scene, and I loved every minute of it. I don’t think it’s my favorite of the series, that honor is still with the Excellent Adventure, but Face the Music is a smart continuation of the series that hits all the right notes. Reviving a series after nearly three decades can be tricky, but I think Face the Music did it right. It brought out enough new characters and new ideas for it to feel fresh, but there were loads of references to the first two movies to satisfy huge nerds like me who adore Excellent Adventure and Bogus Journey. It’s campy, silly, funny, and fun. I’ll definitely be watching it again and again.

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Knock Knock (2015) A Movie A Day Journal Entry

Knock Knock (2015) – A Movie A Day #84

I have a like/dislike relationship with Eli Roth’s movies. I like Eli Roth as an actor and as a person. He and I seem to have largely similar tastes when it comes to horror movies we like. I tend to thoroughly enjoy the influences Eli Roth uses when making his own films. And, I generally enjoy the ideas he has. My only real problem is that he and I have greatly different sense of humor, and Roth tends to put his own brand of humor into every one of the movies he directs. In Cabin Fever it’s the “pancakes” kid and the gun in the store that made me groan. In the Hostel movies it’s the general silliness of the gore. In The Green Inferno it’s the pot and diarrhea jokes. Those things aren’t necessarily movie killers for me, but they were all prevalent enough to leave me feeling underwhelmed by each of those movies. I think it’s about tone for me. I want those movies to be tough to watch, but they end up feeling like goofy comedies by the time it’s all over. With that in mind, I skipped Knock Knock when it came out in 2015.

But.

After seeing Ana De Armas in Knives Out late last year, I’ve become increasingly interested in  seeing more of her work. Plus, I’ve been a big fan of Keanu Reeves for forever. So at this point it was two to one (Ana & Keanu vs Eli), so I decided to give Knock Knock a try. I’m almost entirely glad I did. 

Knock Knock is basically a home invasion movie. Keanu Reeves plays Evan, a seemingly happily married man with a wife, two kids, and a great house. He ends up needing to stay home and work as the rest of his family goes on a weekend trip. While Evan is working late into the night, he gets a knock on the door. Standing outside, stranded in the rain, are Genesis (Izzo) and Bel (Armas). They claim that they got lost on their way to a party, and the taxi they rode in on has already left them all alone. Evan, being a nice guy with a proclivity for flirting (at least according to his wife), eventually invites the young women inside so they can dry off and wait for a car to pick them up. The atmosphere starts to get steamy pretty quickly as Genesis and Bel attempt to get closer and closer to Evan. One thing leads to another, and, a few bad decisions later, Evan can’t get rid of his guests. 

From there the movie gets darker as Genesis and Bel’s intentions become more clear. Evan is harassed and terrorized, and it slowly dawns on him that he’s in a situation that will not end well for him. The only question is: how bad will it get?

I liked the movie overall, and I thought the performances from the three leads were a lot of fun. Izzo and Armas come across as sufficiently bonkers, but their actions also touch on some of the trauma they’ve experienced that might have led them to do what they’re doing. Reeves goes back and forth from desperate to furious, and he gives a great speech towards the end where all of his anger finally explodes. 

I also enjoyed Eli Roth’s directing. The movie does feel sort of campy at times just because of the way it’s sometimes staged and shot, but overall it has a nicely sinister tone. Mostly. For once I thought Roth was going to make a movie without making me roll my eyes at some stupid joke, but alas, he snuck some stuff like that in right at the end. It didn’t spoil the movie for me, but it did leave the movie feeling more light-hearted than I would have liked. That’s just a personal preference though. Other people might like the dumb joke at the end. And really, the joke ending is MUCH better than the alternate ending included on the blu-ray. THAT ending would’ve spoiled everything for me. 

Also, I found out that Knock Knock is actually a remake of a movie from 1977 called Death Game. I definitely need to track that down now. Colleen Camp and Sondra Locke star in Death Game, so that absolutely has me interested. Plus, Colleen Camp (who I remember best as the maid Yvette in Clue) has a cameo in Knock Knock

So yeah, Knock Knock is good. I’m glad I finally saw it.

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