The Grudge 2 (2006) A Movie A Day Journal Entry

The Grudge 2 (2006) – A Movie A Day 2021 #50

The Grudge 2 poster

Today’s movie was an easy choice. As a follow-up to The Grudge (2004) yesterday, today’s movie of the day is The Grudge 2 (2006). Director Takashi Shimizu is back for the sequel to his American remake of his own movie, and even though The Grudge 2 isn’t as good as The Grudge (2004), it’s still quite effective in a lot of ways. Unlike The Grudge (2004) being a fairly close remake of Ju-On: The GrudgeThe Grudge 2 is not a remake of Ju-On: The Grudge 2 despite bringing over some elements from previous Ju-On movies. Not being a remake helps The Grudge 2 feel a bit like a fresh start, and a bigger focus on Kayako’s curse venturing out of the house and over to America helps it feel different than a lot of what came before it.

Like The Grudge (2004) and other Ju-On movies, The Grudge 2 tells multiple stories that begin to converge as the movie goes on. One story follows Aubrey (Amber Tamblyn) as she travels to Japan to make an attempt to bring her sister Karen home. Karen (Sarah Michelle Gellar) is still in the hospital after the events of the first movie, and Aubrey becomes overwhelmed with family baggage, her sister’s condition, and the mystery behind what happened to Karen and her boyfriend. Aubrey tries to find out what happened to Karen which leads her to the cursed Saeki house.

Another story follows three young women who attend an international school in Japan together. One of the girls, Allison, is tricked into entering the Saeki house by two bullies, Vanessa and Miyuki. The prank obviously goes bad, and the curse begins to follow them.

The third story takes place in Chicago, and it follows a young boy named Jake who is dealing with his father re-marrying after Jake’s mother passed away. As Jake is processing his feelings, something strange begins happening to the people around him, and the strangeness seems to be centered around a nearby apartment.

Each story is told linearly, and the intercutting between all three makes it feel like they’re all happening at the same time. If you’re paying attention to some early dialogue you can figure out when two of the stories are happening in relation to each other, but the third story’s time is left a mystery until the end. At first it’s not entirely clear how the stories are connected, but connections are made in a fun though not always unpredictable way. One of the reveals at the end is quite good, but another one isn’t so much of a reveal since it seemed pretty obvious what the connection was about halfway through the movie. It was still enjoyable watching the characters figure it out though. This movie feels a lot more linear than other Ju-On/Grudge movies I’ve seen, and despite the opening scene and a few overlaps, the three main stories never skip back and forth in time. That definitely makes the movie easier to follow than some of the Ju-On movies, though following the timeline was never a big deal in my opinion. As long as the narrative delivers tension ad scares, I’m fine with a bit of time and space ambiguity.

There are a good number of effective scares in The Grudge 2. One of my favorites is one that caught me a little off guard. I won’t spoil it, but it happens when Allison is talking to a counselor at her school. I thought the scare was going to be one thing, but then something else happened and it got me good. I also enjoyed some of the riffs Takashi Shimizu did on some familiar scares from the series. For example, there’s a shower scene, and one of the most iconic scares from the Ju-On/Grudge franchise involves a scare in the shower. Shimizu doesn’t do what you might expect though, and I enjoyed that very much. There’s also a reference to the scene he’d already done twice where a ghost creeps up on a person in their bedsheets, but again, Shimizu changes it up.

Watching some of the featurettes on the DVD helped give a little insight on Shimizu’s mindset and probably explains why he chose to change things up a bit with this movie. The Grudge 2 was Shimizu’s sixth feature length installment of the franchise in six years. Including the two short films that came before the features, Shimizu had been writing and directing the series for eight years. In come of Shimizu’s comments on the DVD, he talks about wanting to do something different if he was going to take the job to direct this second American installment. The Grudge 2 does feel different than what came before, but maybe not always for the best.

I enjoy The Grudge 2 quite a lot, but apparently it was quite a struggle to get the movie written. The Japanese writers (including Shimizu) and the American writers had very different ideas about what the movie should be and how they should approach it. Japanese and American storytelling can be quite different in a lot of ways, and Shimizu apparently had to make a lot of concessions with regards to how he wanted to tell the story. What I saw didn’t go into specifics about what Shimizu may have wanted versus what was actually shot and edited, but The Grudge 2 doesn’t feel quite as genuine as The Grudge (2004), if that makes any sense. The sequel feels a little too clean and easy to digest while there was some ambiguity to The Grudge (2004). The Grudge 2 dives into Kayako’s backstory a lot more, and the curse feels less mysterious because of it. The atmosphere is still often very good, but I suppose it felt like the movie was holding my hand a bit too much.

That said, I still think The Grudge 2 is a very good sequel. I like the story picks up pretty much where the first movie ended, and it continues to move Kayako’s curse forward. There are a bunch of creepy moments and nice scares, and that’s about as much as I can ask for from a sequel to a remake. Now I suppose I need to watch the third American Grudge, because I know I’ve never seen that one. Takashi Shimizu would not return to direct that, and in fact, The Grudge 2 was his last time directing any movie in the franchise. That’s a shame, but I can imagine wanting to move on to other things after spending so much time in the same mindset.

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The Grudge (2004) A Movie A Day Journal Entry

The Grudge (2004) – A Movie A Day 2021 #49

The Grudge (2004) poster

Cherry blossom season is coming up in about a month, and I’m making tentative plans to doing something during that time for my horror podcast The Last Theater. Thinking about what I want to do has made me want to watch certain Japanese horror movies, but I kind of want to wait until I figure out exactly what I’ll be doing before I dive into what will surely be a J-horror binge. So I did the next best thing to watching a Japanese horror movie and watched an American remake of a Japanese horror movie. Now, you might be thinking that watching an American remake of, well, anything is a bad idea, but there are good J-horror remakes out there. Today’s movie of the day is one of those good remakes, The Grudge (2004).

I did a podcast episode about my distaste for The Grudge (2020) about a year ago, but The Grudge from 2004 is a genuinely good movie, remake or not. First of all, Sarah Michelle Gellar is the star, and that already gives the film a bunch of points. Sam Raimi and Rob Tapert are among the producers of The Grudge (2004), and that adds a few more points. And the smartest thing the filmmakers did was to hire Takashi Shuimizu, the director of Ju-On: The Grudge which The Grudge (2004) is based on and the creator of the entire Ju-On franchise. Rather than hiring an American director to localize the movie for American audiences, Takashi Shimizu was basically allowed to recreate his original movie while trying to improve on things he thought could be better. The Grudge (2004) is basically a do-over for Shimizu. I don’t know if The Grudge (2004) is necessarily better that Ju-On: The Grudge, but it might be. I’ll need to watch the original again to really begin to make that assessment. What I do know is that The Grudge (2004) is a great horror movie that manages to deliver real Japanese horror from the perspective of a foreigner in Japan.

The Grudge (2004) stars Sarah Michelle Gellar as Karen, an American student living in Japan with her American boyfriend Doug. Karen volunteers as a care worker for school credit, and one day she is asked to go care for an elderly woman named Emma when the usual care worker doesn’t show up for work. Karen finds Emma incommunicative and living in filth, and after cleaning her up, Karen also discovers that there is something wrong with the house Emma lives in. Karen and Emma encounter a frightening presence, and from there the movie branches out to tell the stories of multiple people who have come into contact with the presence in the house.

Like most movies in The Grudge/Ju-On franchise, The Grudge (2004) is told in multiple vignettes that move forward and backward in time. Eventually the stories begin to come together and even overlap in a few ways. Karen seems to be the thread that connects everything, though a lot of that just has to do with the fact that Karen is the first character we really get to meet (after a brief, tone-setting intro sequence), and Karen is the last character we follow. Within the story, the connection for everyone is the house itself and its former residents. I know this is all kind of vague, but I don’t want to spoil anything if you’ve never seen any of these movies before. These early Grudge and Ju-On movies are quite good and well worth watching. I haven’t seen many of the later Japanese movies in the franchise, and I think there are two American releases I haven’t seen either, though I’ll be taking care of that very soon.

The Grudge (2004) is a very good and scary haunted house movie that emphasizes tone and tension over cheap scares or, really, even plot. Sometimes the weaving of the different times feels disconcerting, and some of the overlaps make you wonder what is actually happening, but it all comes together well to heighten the creepiness of the movie. There is some blood and gore in The Grudge (2004), but not nearly as much as in The Grudge (2020) which I complained about. The Grudge (2004) is rated PG-13, and it’s a great example of the fact that you don’t need a gory R rating to make a great haunted house movie.

One thing that really struck upon this latest viewing of The Grudge (2004) is the fear associated with being a foreigner in an unfamiliar country. Most of the people we follow in the movie are American, and they each have some degree of apprehension about living in a foreign country where communication can often be difficult. Maybe it’s because I haven’t watched The Grudge (2004) since before I lived in Japan for two years myself, but I totally understand the uneasiness a lot of the characters are feeling. It’s not that they dislike where they are, it’s just that it can be easy to feel isolated and alone even in everyday situations. These fears are made clear in the movie, and I feel like Takashi Shimizu was able to use those normal, understandable fears to heighten the supernatural fears that are a part of the American characters’ adopted country. I might not be explaining this very well because I haven’t taken the time to really iron out the ideas the movie presented to me this time, but I am impressed with how Shimizu was able to integrate those feelings of isolation into his movie. I think it’s something that he couldn’t have done in the same way with his original movie. It’s a great example of adding complexity in a remake rather than diluting it for a different audience.

I want to think more on that. But for now, I think I might move on to The Grudge 2 because I don’t think I’ve ever seen it. I’m also going to start planning out what I want to do for Sakura season, but that’s still a little ways away. Until then, I have a lot more movies to watch.

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